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An exert from the book ‘Raw Chicken, Raw Fairclough’, Chapter 23 ‘The US Tour’.

While in Macy’s during our 3 day break in New York City, we had the good fortune of bumping into lead singer, Hayley Williams from Paramore.
Gizzo and Hayley really hit it off, and she invited us to dinner; we ended up in a quiet little sushi bar about 3-4 blocks away. Luckily, due to our relative obscurity on the East Coast we only had a couple of fans come up to us for photographs and signatures.
Since this was the first day of our break, it being after midday, and Hayley picking up the cheque, we all went a bit over the top on sake. After a few too many [drinks], we lost the ability to use chopsticks, much to the dismay of the owners and the floor. Rob may or may not have broken the chair by falling off it, and some stray salmon sashimi from Phil caused one of the waitresses to cover a, luckily empty table, in soup. After this, we decided to take it easy on the sake and $10 lagers.
After what was seemingly the day, in reality it was around 2 hours, Gizzo and Hayley started talking very quietly, like naughty school children in the corner. After a brief conversation, we saw Giz shake his head and Hayley looking disappointed. After this, she decided it was time she needed to get going.
Later that day, while in Duff’s Brooklyn, and after hours of Phil and I badgering, Gizzo finally revealed Hayley offered to pay for a discreet hotel room, just on the outskirts, for them to ‘do the nasty’ (which was Gizzo’s phrasing for having sex), and the collective response of the band was one of shock. He quickly added that it was because she was (and still is at point of publication) going out with Chad Gilbert from New Found Glory.

Fairclough, (2012) Raw Chicken, Raw Fairclough Cambridge University Press - pp.264






INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.


This is pretty awesome.


My mind hurts. This is crazy.

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